Christopher Nolan's Batman trilogy ends spectacularly, as a rule, ambitious fashion with "The Dark Knight Rises", but the disappointment is unshakable.

Christopher Nolan's Batman trilogy ends spectacularly, as a rule, ambitious fashion with "The Dark Knight Rises", but the disappointment is unshakable. With Christian Bale as a superhero of 2005 and tortured "Batman Begins," Nolan explores the complex motivations, conflicting rights and the possibility of the size of the enterprise and of salvation. Here he is relentless in hammering home the fear, sadness, feelings of meaninglessness and detachment of a city on the verge of collapse without a savior in sight. ID theft coming economic collapse and the rising of the disaffected, the disenfranchised have-nots against the haves enough into the game too easy But this story, the plot is difficult, obsessive process and responsible dialogue and flashbacks that bog down the momentum. It has been four years since, has been published since "The Dark Knight," but eight years are past. Bale Bruce Wayne suffers from self-imposed exile, sulking over Wayne Manor, is survived by his beloved Rachel, and bears the burden of responsibility for the death of DA Harvey Dent. The goal of a peaceful world, Gotham has been reached, but he was like a man without a purpose. Michael Caine as Alfred the ever-faithful servant, bring eloquence, as he begs to carve out his own happiness Bruce. Fellow veteran Gary Oldman as Commissioner Gordon and Morgan Freeman as Lucius Fox, gadget guru, their usual very worthy, but they do not fit as they should, because the film is so well padded. Some new characters are not in a position to take Bruce's radio. Anne Hathaway brings much-needed momentum that Selina Kyle, Catwoman otherwise known. The other woman in the life of Bruce, however, is extremely weak, a real problem, because it plays a key role in climate disclosures. Marion Cotillard co-stars as Miranda Tate, a wealthy philanthropist who work with Wayne Enterprises to develop a clean and sustainable energy hopes. The romance between her and Bruce developed is quite incredible. Joseph Gordon-Levitt adds a presence to young John Blake, a member of the up-and-forth to the police that Bruce inspired to reconsider his childhood as an orphan. Then there's Bane, a muscle mass of pure evil, which orchestrates the complex care of Gotham City. The role is a waste of talent Tom Hardy, it is never as frightening a figure as a large, bulky. But he was overshadowed by the dazzling opening sequence of the film, worthy of the best James Bond: a bold move air, kidnapped in the Bane, a scientist with the hijacking of his plane from the sky above. This is probably the most effective set pieces through several phases Nolan here, when the collapse of the Heinz Field was packed during a football game, even an emergency, the quality of visceral thrill of the most inventive moments remind Nolan "Inception". That's the problem if you are a visionary filmmaker. Give people something extraordinary, and they expect every time. Anything less is a disappointment.